an arundel tomb

An Arundel Tomb is almost a love poem written by Larkin in 1956 and first published in the book The Whitsun Weddings of 1964.

Larkin once recalled that a guide showing tourists round the cathedral pointed out the tomb (sorry, memorial) and declared, ‘This tomb has been the subject of a poem by Philip Spender. Yet “An Arundel Tomb” is not a sentimental poem; it is about what sentimentality looks like the morning after. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined, in Chichester Cathedral.

1.Visit a local cemetery or church and describe the figures represented a tomb or gravestone. 2. The Question and Answer section for An Arundel Tomb is a great resource to ask questions, find answers, and … It comprises 7 verses of 6 lines each, each with rhyme scheme ABBCAC. Such plainness of the pre-baroque Hardly involves the eye, until "An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It focuses on the 14th century tomb (actually a memorial effigy in Chichester Cathedral, Sussex, which Larkin visited) of a noble couple, one Richard Fitzalan, Earl of Arundel, and Eleanor of Lancaster, his second wife. An Arundel Tomb. Try to draw your own conclusions about what they might mean in a larger context, such as love, faith, fidelity, or eternity. An Arundel Tomb Questions and Answers.

The words of ‘An Arundel Tomb’ have been placed at the base of the actual Arundel tomb in Chichester Cathedral which inspired the poem. Such plainness of the pre-baroque Hardly involves the eye, until Such plainess of the pre-baroque Hardly involves the eye, until It … Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet. An Arundel Tomb. It is described by James Booth as "one of [Larkin's] greatest poems". Its last line, in fact, distills a romantic notion that Larkin has challenged almost from the poem’s beginning. An Arundel Tomb Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd-- The little dogs under their feet. He lets it resonate through the whole poem so he can hear what it … Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet.

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