Has this primary diameter dimension been used to size the “load bearing parts” of apse and chevet? In the context of these images the terms ""reconstruction"" and ""rendering"" have been used to distinguish between the artists' speculative reconstruction of a ruined work from the artists' perspective drawing or rendition of the design.
The Width of the Ambulatory and Aisles by Ad Triangulum geometry . La photographie d'accompagnement montre des supports latéraux en fer entre les contreforts volants ; on ne sait pas quand ces tirants externes ont été installés. The plan to create such a massive cathedral may have been a tactic used by
façades were designed by Martin Chambiges (1460-1532), who applied
These engravings, line drawings, and plans reflect both the technological and aesthetic standards of their time. of a rampart around the town. Parishioners moved these precious pieces of artwork during the second World War to a remote location away from the bombing and thus saved them from destruction. Par la suite, les tirants ont été réinstallés, mais cette fois avec des tiges en acier. Murray, S. 1989. This is the tallest vault built during the Gothic period. Chartres Cathedral – Cross Section of Nave’s Elevation Plan – Development of Conceptual Design, CHARTRES CATHEDRAL – CROSS SECTION OF THE NAVE a conceptual reconstruction, Chartres Cathedral – Ground Floor Plan – final reconstruction in concept, The Reconstruction of the Labyrinth at Chartres, Chartres Cathedral Ground Plan: The Western Half of the Plan Reconstructed in Concept, Reconstructing the Conceptual Ground Plan of Chartres Cathedral, Chartres Symbolical Numbers and Measurement Units, Follow chartrescathedral-conceptualplan on WordPress.com, A Symbolic Interpretation of the Golden Mean, Dimensioning - Sizing - the piers diameters by Ad Quadratum Construction and PHI, Entering the Spirit of the times of Chartres Cathedral's construction, Fibonacci numbers in the Chartres Floor plan, Geometric Figures overlaying the Floor Plan, Golden Ratio and square root of two and three, Overlaid geometric figures on floor plan not yet proof of principle, Position of the Nave Piers between Towers and Labyrinth, Positions of the Apse and Ambulatory Piers and Columns, Ratio's and Irrational numbers: Pythagoras, Three Focal Points in the Chartres Floor Plan. As we will see in the last section of this post, summarizing and comparing all three cathedral’s apse’s designs, expressing 1.309 PdR in this way puts the apse radii of the three different cathedrals within one perspective! 0.974 m equal to 3.0 PdR. slender flanking towers, decorated with canopies, frame the façade
Sous la direction de l'évêque Guillaume de Grez , 4,9 m supplémentaires ont été ajoutés à la hauteur, pour en faire la cathédrale voûtée la plus haute d'Europe. From the very beginning the building was designed to be the tallest and most splendid church in the world. .
In the latter plans the outlines of solid piers, walls and buttresses are shown in black and their shapes are ‘filled-in’ with black to indicate their solidity, while the white background denotes ‘open, empty space’. Figure 1. 2]. Renovations to the town occurred during the Severan era (AD 146-211), due in part to incursions of the Chauci, a Germani c … 2. (click on the picture to enlarge): Fig 6 Widths of Aisles – Ambulatory derived through Ad Triangulum Choir width, Fig. while the Decumanus can be traced along the rue St. Pierre. Comme l'acier est moins ductile que le fer, la structure est devenue plus rigide, ce qui a peut-être causé des fissures supplémentaires. with the further improvements to the cathedral in1564. A PDF version of Fig.7 is given here: Paris Notre Dame Cathedral Common Design Methods Summarised Fig 7. A PDF version of Fig. was occupied by the Bellovaci, a Belgic tribe who, as Caesar notes in his
to legend, the bishopric of Beauvais was founded by Saint Lucien, first bishop
Gallic Wars (Bk. (click on it to enlarge the picture): Fig 3 Start of design Apse and Chevet of Paris Notre Dame, Fig. The light gray areas of the image are unconstructed but in the original plan.
Oeuvre, built during the second half of the 10th century. Around this point a ‘Holy Circle’ is created whose radius for all three cathedrals follows one common procedure: the radius is equal to the symbolic number of 11.1 times a Primary Unit of Radius which value is specifically chosen for each cathedral. II, ch. of churches were erected on the tomb of St. Lucien, the site today’s
According
Le chœur a toujours été admiré de tout cœur, Eugène Viollet-le-Duc qualifiant le chœur de Beauvais de « Parthénon du gothique français». In the Beauvais plan, however, the actual implemented diameters for apse, ambulatory and even the crossing piers are all derived from its fundamental pier diameter through an ‘Ad Quadratum’ scale change (or proportional change you could say). Confrontations
in the Thérain valley of Picardie, at the intersection of roads leading
During the following centuries, a series
in the Thérain valley of Picardie, at the intersection of roads leading
Beauvais cathedral (fig.2) marks the climax of Gothic architecture, and provides
Now we will look at the whole chevet and entire choir in which the apse and inner choir are placed. of a rampart around the town. the then fashionable late Gothic Flamboyant style.
Cet effondrement a été vu comme un désastre qui a produit un échec de nerf chez les maçons français travaillant dans le style gothique. It will put the laser plan of the Paris’ chevet in the context of the overall cathedral’s plan. La cathédrale est de style gothique. The thickness of the chevet walls are difficult to discern in the laser-generated floor plan of the Paris chevet shown in the above Fig.1 and 3.
Some remains
A quick visual comparison of this circle diameter with the round piers of apse and ambulatory makes clear that they are sized to a smaller diameter. To check whether this method could have been used to design the Paris apse- and chevet’s floor plan too, I projected a perfect circle (in red) across centers of the apse piers as shown in Fig. Money for the restoration came from the coffers destined for the completion of the nave portion of the cathedral. Image en plan de la cathédrale de Beauvais, dérivée des données de balayage laser recueillies en 2007 par l'association à but non lucratif CyArk pour aider à la stabilisation du bâtiment Image en plan de la cathédrale de Beauvais, dérivée des données de balayage laser recueillies en 2007 par l'association à but non lucratif CyArk pour aider à la stabilisation du bâtiment, Plan d'étage; la partie plus claire dans la moitié inférieure montre la nef (jamais construite). Above: Plan of Amiens cathedral.
in 1180 and again in 1225 caused considerable damage to the Basse
1] based on the laser measurements by Tallon [ref. Dans la course à la construction de la plus haute cathédrale du XIIIe siècle, les bâtisseurs de Saint-Pierre de Beauvais ont poussé la technologie à ses limites. Fig.7 Common design methods compared for Paris , Chartres and Beauvais Cathedrals. The diameter of the round column of the apse piers can be re-constructed from the ‘primary’ pier diameter through a geometric reduction or scale down as per ‘Ad Quadratum’. with the king were typical at that time. of funds and severe constructional flaws, however, these plans could only
The clock is in working order. Le transept nord comporte maintenant quatre grandes fermes latérales en bois et en acier à différentes hauteurs, installées dans les années 1990 pour empêcher le transept de s'effondrer (voir la photo ci-dessous). Roman
Même si la structure devait être plus haute, les contreforts ont été affinés afin de laisser passer un maximum de lumière dans la cathédrale. This picture shows on the left hand side the choir, the choir-ending, the apse, and on the right hand (Eastern) side the double ambulatory and the radial chapels between the four major buttresses of the chevet. It has 90,000 pieces! For example in the Beauvais plan we have found the fundamental pier diameter to be 2.23 m and for the Chartres plan 2.41 m. It should be remarked that these pier diameters include the “colonnettes” surrounding the “inner column shaft”. Within the possible accuracy due to the scale of the laser chevet plan they are a good match. powerful northern barons allied with the bishop and the bourgeoisie siding
The Laser-measured Floor Plan of the Chevet of Paris’ Notre Dame Cathedral. A look at the plans of Beauvais’- and Chartres Cathedral was written about in the last post. Although only the transept and choir survives today, it
1). of Beauvais, in the 3rd century AD. Has this very same symbolic number of 144 been applied to the chevet and choir of the Paris Notre Dame? At the top of the plan shown in Fig. In Diderot’s Encyclopedie – (Dictionnaire Raisonne des Sciences, Des Arts et ……) they are described as “colonnes monocylindrique” , in other words they are consisting of a single, round column without any surrounding “colonettes” resting on the plinth. Before doing that let us remember how for the Chartres Cathedral the layout of apse lies entirely within its chevet and is surrounded by a double ambulatory.
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