I can't even imagine the conversations they had when he came home. It was reviewed fairly well for its time, a long, supportive review in the New York Times Book Review by C.D.B. The moment that’s going to shock a lot of viewers is John Musgrave talking about Jane Fonda. Free Printable to Share With Families! But we live in a political dynamic now that’s so dialectically preoccupied. Long after the war, in his book In Retrospect and elsewhere, McNamara expressed regret for his role in shaping the U.S. intervention and its military effort in Vietnam. That warning causes a scene of semi-violence in the novel. Students will learn about the contributions of the U.S. Navy SEALS during the Vietnam War in this 12-minute video. But as far as I can tell, he never apologized, in the book or anywhere else, for Project 100,000 or for draft policies that were applied so unequally to different classes of Americans — policies that were almost certainly one precursor of the social and cultural divides that split our country a half-century later. [4] Within the series' 17-and-a-quarter-hours, there are scenes covering 25 battles, ten of which are detailed scenes documenting and describing the action from multiple perspectives.[7]. Under rules promoted principally by Defense Secretary Robert McNamara — to the opposition of most military leaders — local draft boards across the country were required to call up scores of thousands of men with IQ scores below the minimum standard. And so I was psychologically torn. In an Op-Ed in The New York Times, Ken Burns and Lynn Novick explain why after 40 years, Americans have not been able to put it behind them: Review our, Blowing the Whistle: The Hidden History of Whistleblowing and the Rise of the U.S. National Security State. I was waiting for the rest of his story to come out in the film and you never get into that. She starts off the daughter of a French Mandarin in Hanoi. Right?
They characterized it as a "betrayal". Anything less is a failure of that promise. The film shows how these sentiments had roots in both earlier wars of U.S. imperial conquest and the Jim Crow South. We are beyond grateful because music is the fastest art form: two notes, and they got you. And we have Trent Reznor and Atticus Ross providing us with hours of unbelievable music. Honoring the approximately 58,000 U.S. soldiers who died in the war, it omitted the millions of Vietnamese, including U.S. allies, who perished in the conflict. [4] It was produced by Ken Burns and Lynn Novick, who had previously collaborated on The War (2007), Baseball: The Tenth Inning (2010), and Prohibition (2011). Nice white supremacists and bad protestors, blame on both sides, now as then. They then are forced to flee the country at the fall of Saigon or just before it. We ended up having a wide-ranging and relatively intense conversation about why they made the film and how they decided what to include and what to leave out. That’s the whole idea of the United States of America. Let's talk about the music. There are a lot of people who defend it in the beginning. Ken Burns and Lynn Novick’s ten-part, 18-hour documentary series, THE VIETNAM WAR, tells the epic story of one of the most consequential, divisive, and controversial events in American history as it has never before been told on film. He also believed that Nixon, a mercurial president who expressed many contradictory opinions, could not be taken entirely seriously in the tape excerpts used in the documentary wherein he appears to express a desire to cut South Vietnam loose immediately after the 1972 elections and the Paris Peace Accords, while the documentary let the excerpts stand as seeming fact.
[9], Review aggregator Rotten Tomatoes gave the series an approval rating of 96% based on 49 reviews and a weighted average score of 9.36/10. Signing up for this newsletter means you agree to our data policy, Without Honor: Defeat in Vietnam and Cambodia, Vietnam Shadows: The War, Its Ghosts, and Its Legacy, From Troubled Lands: Listening to Pakistani Americans and Afghan Americans in Post-9/11 America. John Musgrave tells a powerful story in your film. Learn more about Ken Burns and Lynn Novick’s ten-part, 18-hour documentary series, The Vietnam War. So every time we try to give the full Bob Rheault story, it looked like we were pasting it on and it just felt so awkward and disjointed that we finally just said, “You know what, he said these amazing things, the things that he said are important, and all of us have a back story.”. One white veteran in the film describes witnessing the disembowelment of a Vietnamese woman, replicating a demonstration his superior officers had done with a rabbit in basic training. Given my age (71), I have had a long history with the Vietnam War. So we actually tried and it never worked. E pluribus unum, out of many, one. “My first sergeant was a Ku Klux Klan man.” These testimonies in the film forced viewers to confront the Vietnam War as a continuation of America’s long history of racial violence. The vet claims no one spoke about the war. Ken Burns, a little less so. I ran into my own fate a few months before the lottery was put in place.
We went together and I need to tell you right now, I have to salute those artists or their estates, their publishers, their record labels, for permitting us to have all these tunes, understanding that we would cherish them, use them in context, never play a song before that song was released, and tie it to the time in which it was written so that the artists feel like we were honoring it. We didn’t soft-pedal it. [4] The third episode features an interview with retired UPI reporter Joseph L. Galloway, who was awarded a Bronze Star with "V" device for assisting with the wounded in the Battle of Ia Drang. And all the shades in-between. Those are some perspectives that very few people have any concept of at all. The Vietnam Veterans Memorial, completed in 1982, exemplified this shift. I think they will. You're either blue state or you're red state, you're either young or you're old, you're rich or you're poor, you're male or you're female, you're gay or you're straight, you're black or you're white. Don’t you cut it. Now we have Ken Burns and Lynn Novick’s 18 hours of the war. And its impact persists. The series features interviews with 79 witnesses, including many Americans who fought in the war or opposed it as Anti-war protesters, as well as Vietnamese combatants and civilians from both the North and the South. And as John Musgrave said, “No one likes being wounded in the same place twice.”. As soon as she became aware of the world around her, beyond her family, she knew there was this bad thing going on. If you'll go back and look at the introduction again and we say the Vietnam War called everything into question. Bass contends that this, together with the film's reliance on architects of the war such as "former generals, CIA agents and government officials, who are not identified by rank or title, but merely by their names and anodyne descriptions" is deemed as evidence of the film's "conservative credentials".
It could have set a higher minimum grade on the Armed Forces Qualifying Test, the basic intelligence test, and still easily met military manpower needs. Not many read that book either, though it was on the NY Times Book Review’s New and Recommended list for 6 weeks. The researchers for the film also accessed more than 24,000 photographs and examined 1,500 hours of archival footage.
And, boy, did we get that, along with all the continuing wars we have. Even then, television was supreme and I wasn’t on TV.
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