As architect to the Board of Works, he designed several major public buildings, including the main block and facade of the British Museum. After his retirement in 1845, he became involved with various esoteric cults and sects and wanted to design churches.
We were a month there. His first official appointment came in 1807 when he was made architect to the Royal Mint. Bloomsbury (1823–46). Smirke's works at the Inner Temple included his only Gothic buildings in London. Another area where Smirke was an innovator was in the use of quantity surveyors to rationalise the various eighteenth-century systems of estimating and measuring building work.[26]. At the first two he was called in when work overseen by previous architects had proved unstable. Plans out carry, great as Barry, The rapid rise of Smirke was due to political patronage. [1] He attended Aspley School, Aspley Guise, Bedfordshire,[2] where he studied Latin, Greek, French and drawing, and was made head boy at the age of 15. This was England's first purpose built post office. In 1801, accompanied by his elder brother Richard he embarked on a Grand Tour which would last until 1805.
There were several extensions and remodellings during the 20th century.
To the south was the grand staircase, rising between walls, the flight was divided into two sections by a landing, the upper floor had four Ionic columns each side of the staircase that supported a barrel vault over it. The horseshoe shaped auditorium was on five levels, and seated 2,800 people, not including those in the many private boxes.
Meta information Date of Birth In 1815 the British Institution upset many British artists by a preface to the catalogue of their exhibition of Old Masters, The Catalogues Raisonnés, implying rather too strongly that British artists had a lot to learn from them. pages 277–278, G.E. 1 October 1780 The first part to be constructed was the "King's Library" of 1823–1828, which forms the east wing. The largest prison in Europe, it consisted of a hexagonal central courtyard with an elongated pentagonal courtyard on each outer wall of the central courtyard; the three outer corners of the pentagonal courtyards each had a tower one storey higher than the three floors of the rest of the building. [6] He was elected an Associate of the Royal Academy on 7 November 1808, and a full Academician on 11 February 1811, his diploma work consisting of a drawing of a reconstruction of the Acropolis of Athens. He described it as "the noblest", "simple, grand, magnificent", "with its other merits it has a kind of primal simplicity". This he contrasted with the Architecture of ancient Rome which he described as "corrupt Roman taste", "An excess of ornament is in all cases a sympton [sic] of a vulgar or degenerate taste". This page was last edited on 27 September 2020, at 05:51. by John Flaxman. First Mention His pupils included Lewis Vulliamy, William Burn, Charles Robert Cockerell, Henry Jones Underwood, Henry Roberts, and his own brother Sydney, best known for the circular reading room at the British Museum. 0-300-09595-3. page 617, Buildings of England: London 6 Westminster, Simon Bradley and Nikolaus Pevsner, 2003, Yale University Press. After 18 months, with £26,000 spent, Hardwick resigned. In it he made his admiration for the architecture of ancient Greece plain. pages 288–295, Buildings of England: London 4 North, Bridget Cherry and Nikolaus Pevsner, 1998, Penguin Books. His buildings have a higher percentage of hauntings and paranormal activity than other buildings, and can interact in more stable ways with paranormal objects such as Leitner books. Nearly all Smirke's work was destroyed in the London blitz in 1940–1941 and has been rebuilt to a completely different design, the only major survival being the Paper Buildings of 1838,[37] in a simple classical style.
James Fergusson, writing in 1849, said "He was a first class builder architect ... no building of his ever showed a flaw or failing and ... he was often called upon to remedy the defects of his brother artist."[20]. The second incarnation of the Covent Garden Theatre (now the Royal Opera House), built in ten months in 1808–1809. Thomas Leverton Donaldson described Smirke as able to please "Men whom it was proverbially impossible to please". The only major interior to survive in the north wing is the "Arched Room" at the west end. Husband of Laura Smirke. His friends at the Royal Academy such as Sir Thomas Lawrence, George Dance, Benjamin West and Joseph Farington were able to introduce him to patrons such as: John Hamilton, 1st Marquess of Abercorn; Henry Dundas, 1st Viscount Melville; Sir George Beaumont, 7th Baronet; George Hamilton-Gordon, 4th Earl of Aberdeen; Francis Seymour-Conway, 3rd Marquess of Hertford; Henry Bathurst, 3rd Earl Bathurst; John 'Mad Jack' Fuller and William Lowther, 2nd Earl of Lonsdale. [22] The work cost £70,000, bringing the total cost of the building to £458,000. Biographical information Place of Death [34], Bookcases in the King's Library, British Museum.
J. Mordaunt Crook, "Sir Robert Smirke: A Pioneer of Concrete Construction", 1965, J. Fergusson, Observations on the British Museum, National Gallery and National record Office, 1849, page 84, J. Mordaunt Crook: the British Museum A Case-study in Architectural Politics, 1972, Pelican Books. He became a full academician in 1793, when he painted as his diploma work Don Quixote and Sancho. Everything was slovenly that I was doing. Robert Smirke In 1804 he was nominated to succeed Joseph Wilton as keeper to the Royal Academy, but George III refused to sanction the appointment on account of his revolutionary political opinions, and the appointment went instead to Henry Fuseli. channelled rustication, the two upper floors have a broad pediment containing The Royal Arms supported by six Roman Doric attached columns. [16] The portico was flanked by four bays, the end bays being marked by pilasters with a statue in a niche between. The interiors are in Smirke's usual restrained Greek revival style. The first floor windows have carved relieves above them, the entrance porch is of a single storey with Corinthian columns. page 499, Buildings of England: London 6 Westminster, Simon Bradley and Nikolaus Pevsner, 2003, Yale University Press. His itinerary can be followed by the series of letters he wrote: Brussels, Paris (in order to visit which the brothers had to disguise themselves as Americans as Britain was at war with France at the time), Berlin, Potsdam, Prague, Dresden, Vienna. Children. He was awarded the Gold Medal of the Royal Academy in 1799 for his design for a National Museum. He was a member of the Royal Academy.[1][2]. Sir Robert Smirke RA (1 October 1780 – 18 April 1867) was an English architect, one of the leaders of Greek Revival architecture, though he also used other architectural styles. Of Gothic architecture he described as '"till its despicable remains were almost everywhere superseded by that singular and mysterious compound of styles". Smirke died at 3 Osnaburgh Terrace, Regent's Park, London, on 5 January 1845, aged 92, and was buried in Kensal Green Cemetery. Male He appears to have striven for balance between them, and in general prized the concept highly throughout his work. In 1775 he became a member of the Incorporated Society of Artists, with which he began to exhibit by sending five works; he showed works there again in 1777 and 1778. Smirke was born in London on 1 October 1780, the second son of the portrait painter Robert Smirke; he was one of twelve children. The main building was designed by the previous architect to the Mint James Johnson, but the design was modified by Smirke, who oversaw its execution. Smirke was born at Wigton near Carlisle, the son of a travelling artist.
page 482, Buildings of England: London 5 East, Bridget Cherry, Charles O'Brien and Nikolaus Pevsner, 2005, Yale University Press, pages 93–97, Survey of London Volume XXXV: The Theatre Royal, Drury Lane and the Royal Opera House Covent Garden, F.H.W. [3] page 295, Buildings of England: London 1 The City of London, Simon Bradley and Nikolaus Pevsner, 1997, Penguin Books. Edward Smirke 1795 – … [16] During the early part of his career Smirke was, along with William Wilkins, the leading figure in the Greek Revival in England.
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